“An Eastern European Ridley Scott… the cultural commentary of Szulkin’s oeuvre is universalist… their future is our now.” – Ela Bittencourt
“The Polish ‘cinema of anxiety’ soars from this globe within the work of Piotr Szulkin… the movies thrive on imaginative eyesight and sociological absurdity.” – Steve Dollar, Wall Street Journal
Movie at Lincoln Center https://brides-to-be.com is happy to announce Sci-Fi Visionary: Piotr Szulkin, a retrospective celebrating one of Poland’s many filmmakers that are revolutionary September 6-8.
A manager, screenwriter, novelist, theatrical manager, and painter, Piotr Szulkin frequently encountered censorship through the Polish Communist regime for the belated ’70s and very very very early ’80s for their unabashedly governmental works. Szulkin’s profoundly imaginative movies can be looked at as existential stories, absurdist parables, or premonitions about contemporary society’s hostility as well as the evils of totalitarianism. Drawing from 20th-century philosophy and Polish medieval literary works through speculative fiction, noir, and grotesque allegories, Szulkin masterfully wielded the shoestring budgets afforded him to generate shockingly iconoclastic science fiction movies. Called “the undiscovered Fritz Lang of 1980s Mitteleuropa” (Michal Oleszczyk, RogerEbert.com), Szulkin made movies which were hardly ever seen outside of their native Poland but which continue steadily to resonate with chilling truths about humankind, drawing eerily prescient parallels to the current global climate that is political.
Among the biggest retrospectives of their strive up to now, Sci-Fi Visionary: Piotr Szulkin provides an array of brand brand new restorations that are digital brought in movie images. The show showcases each of Szulkin’s features, including his audacious cult classic Golem , frequently considered a precursor to Blade Runner ; The War associated with Worlds: Next Century, a reimagining associated with H.G. Wells novel and an indictment of mass media’s impact on civilians; O-Bi, O-Ba: the finish of Civilization , which follows the residual survivors of the nuclear apocalypse from their dire situation; Szulkin’s exploration of female sexuality in the increasingly delirious and erotic Femina ; the dadaist Ga, Ga: Glory to Heroes , which follows a prisoner aboard a penitentiary spaceship as he is sent on a mission to a police state hell planet; and Szulkin’s final film, King Ubu , based on the 19th-century Albert Jarry play, a brutal commentary on contemporary Poland in the aftermath of the Communism Szulkin criticized throughout his career as they wait for a mythical Ark to save them. Furthermore, the retrospective will highlight Szulkin’s short movie work, including the folklore-inspired morality play Dziewce z ciortem in addition to documentary Working Women .
Presented in collaboration utilizing the Polish Cultural Institute nyc.
Arranged by Florence Almozini and Tyler Wilson.
Tickets carry on sale Thursday, August 15 and tend to be $15; $12 for pupils, seniors (62+), and people with disabilities; and ten dollars for movie at Lincoln Center users. Save with all the purchase of three seats or even more.
Acknowledgments: Polish Cultural Institute Ny; Daniel Bird
FILMS & DESCRIPTIONS All tests occur during the Walter Reade Theater (165 West 65th Street) unless otherwise noted.
Femina Poland, 1991, 35mm, 84m Polish with English subtitles After her husband leaves for a long business trip and her mom dies, a coolly detached, bourgeois housewife (Hanna Dunowska) embarks on an outre carnal odyssey searching for intimate satisfaction, leading her into increasingly deranged, sinister realms as memories from her childhood mingle with fever-dream seductions. Equal components coming-of-age nightmare, softcore satire, and surrealist cantata, Szulkin’s delirious erotic fantasia unfurls in a nonstop rush of indelibly uncanny images—from a free-floating apparition of the lusty Joseph Stalin to a couple of shockingly randy puppets—as it savages faith, hawaii, therefore the concept of the nuclear household.
Preceded by: New electronic renovation Working Women / Kobiety pracujace Poland, 1978, 6m U.S. Premiere Stylized with dramatic interiors and a distorted framework price, this very early documentary miniature from Szulkin illustrates six sequences of solitary, repetitious work. Saturday, September 7, 4:30pm Sunday, September 8, 8:00pm
Ga, Ga: Glory to Heroes / Ga, Ga – Chwala bohaterom Poland, 1986, 35mm, 84m Polish with English subtitles Resistance is useless in Szulkin’s stunningly nihilistic satire that is dystopian. In the next where life in the world has grown to become therefore wonderful that only prisoners can be used for the dangerous company of area exploration, poker-faced intergalactic inmate Scope (Daniel Olbrychski) is delivered on a apparently doomed objective to an uncharted earth. Upon their arrival, he discovers some sort of curiously just like a dilapidated, postapocalyptic world, where he could be welcomed by the population as a “hero,” an ignominious honor, he quickly learns, that is included with a many fate that is barbaric. Using the film’s title that is appropriately nonsensical the babble of their child child, Szulkin provides a bleakly acerbic commentary in the absurdity of life in a authorities state. Friday, September 6, 4:30pm Saturday, September 7, 8:30pm
brand New restoration that is digital Poland, 1980, 92m Polish with English subtitles in a few dystopian future, boffins make an effort to produce a fresh, pliable competition of people. an apparently ordinary item for the work, the genetically engineered Pernat (Marek Walczewski) is susceptible to round-the-clock monitoring as he goes about their life amidst drab bloc architecture that is soviet. Szulkin’s feature that is bold, styled in sepia tones and dramatic illumination, happens to be called a precursor to Blade Runner , but its name additionally appears back once again to a far more ancient myth of creation and morality.
Preceded by: brand New electronic restoration The Gal and also the Fiend / Dziewce z ciortem Poland, 1976, 14m Polish with English subtitles U.S. Premiere Szulkin stages a morality play of a sinful woman’s encounter because of the devil, set into the Polish ballad of the identical title and imbued with folkloric imagery. Friday, September 6, 6:30pm Saturday, September 7, 2:00pm
New digital renovation King Ubu / Ubu krol Poland, 2003, 90m Polish with English subtitles U.S. Premiere centered on Alfred Jarry’s late 19th-century, proto-Dada political satire Ubu Roi , Szulkin’s last movie can be a crazy, carnivalesque commentary on post-Communist Poland by which drunken degenerate Ubu (Jan Peszek) seizes control over the monarchy in a supposedly “democratic” takeover (their signature policy: universal free alcohol) simply to institute their own absurdist, tragicomic reign of terror. Updating Jarry’s iconoclastic eyesight with a new dosage of dark, post-Soviet cynicism, King Ubu is an incendiary summative statement from an musician whom devoted their profession to lobbing grenades during the equipment of totalitarian governmental corruption. Sunday, September 8, 6:00pm
brand brand New electronic renovation O-Bi, O-Ba: The End of Civilization / O-bi, O-ba – Koniec cywilizacji Poland, 1985, 88m Polish with English subtitles What stays of mankind post–nuclear apocalypse is restricted to a squalid underground bunker where survivors toil desperately to uphold the very last vestiges of civilization. They truly are spurred in by their fervent belief in a fabled Ark which will deliver them from their residing hell—a misconception propagated by the powers that be, and distribute, in component, because of the increasingly disillusioned smooth (Jerzy Stuhr) while he tries to prevent total collapse. Involved in an expressionistically grimy, grey- and blue-toned palette, Szulkin crafts a shattering existential parable about the false claims of politics and faith that plays away such as a Sisyphean journey into madness. Saturday, September 7, 6:30pm Sunday, September 8, 4:00pm
brand New electronic renovation The War associated with the Worlds: Next Century / Wojna swiatow – nastepne stulecie Poland, 1981, 96m Polish with English subtitles focused on both H. G. Wells and Orson Welles, Szulkin’s followup to Golem starts with the Christmastime takeover of Poland by a band of hyperintelligent, bloodthirsty martians (played by silver-painted dwarfs in puffer jackets) who enlist hapless tv newscaster Iron Idem (Roman Wilhelmi) because the vocals of the 1984 -esque propaganda device. Nevertheless when Iron dares to set off message, he makes an enemy also more than the aliens: the continuing state itself. Released in the same way Poland was being plunged into martial legislation and straight away prohibited, The War associated with the Worlds: Next Century is just a disturbingly prescient allegory of energy, control, and media manipulation in a world that is post-truth. Friday, September 6, 9:00pm Sunday, September 8, 2:00pm